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CHAPTER 7: EFFECTS AND TRANSITIONS ■
in the monitor. To zoom out, Shift-Ctrl/F-click in the monitor. You can also map the
Reduce and Enlarge buttons onto your interface. You’ll especially find the zoom tools
helpful if you use the Outline Path button. For effects that move on a path across the
screen, the Outline Path selection will allow you to see the movement of the effect from
keyframe to keyframe. Each gray dot in the path represents a keyframe.
In some cases, you might find it difficult to navigate your way from keyframe to
keyframe through complex effects using the small Timeline underneath the Effect Pre-
view monitor. Just to the left of the monitor is a very handy keyframe scale bar. By
adjusting this slider, you can zoom in on the effect Timeline and see all the keyframes.
In the regular configuration, keyframes can easily get lost. Zooming the Effect Preview
Timeline allows you to analyze the keyframes more effectively.
Another method is to use the fast-forward and rewind keys. Normally, these
keys function so that you can jump forward and backward between each locator on
your track. If you hold down the Alt/Option button and use them, they would nor-
mally jump from transition to transition in your Timeline. However, when you map
them underneath the Effect Preview monitor (and they must be under the monitor, not
on the Timeline buttons for this to work), they will jump forward or backward to each
keyframe so that you can see and examine the parameters for each one.
Building Vertical Effects
In the “Basic Editing”chapter, we covered how to add video tracks (Ctrl+Y/F+Y) and how to
monitor video tracks (by clicking the monitor button next to the track name).Building vertical
effects such as multiple Picture In Picture tracks,keys, resizes,and titles is fairly simple,at least in
theory.The key to building vertical effects is a concept referred to as previsualization.
Prior to creating any type of complex effect, it’s a good idea to sketch it out on a piece of paper.Try
to determine which effects will be used, how each track will be assigned,what sources will be
needed,and what resources will be required.Sketching out an effect can be as simple as drawing
on a cocktail napkin or as complex as creating a spreadsheet with a storyboard visual reference.It’s
up to you, the effect designer, to determine which tools are necessary.
Previsualization is mentioned here only because so many picture editors can become overwhelmed
with 24 vertical video tracks.The effect in itself is a fairly simple thing.Manipulating an effect and
understanding its interaction with other effects is entirely different.When you previsualize, try to
break down your effect design to its most simple elements and draw it on the page.When you
attempt the effect in Xpress Pro,you can add each element step by step and then preview it to see
whether it works.
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