Pyro Industries API-1394PCI Manual de usuario Pagina 244

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EXPORTING
Exporting OMFI Files
Open Media Framework Interchange (OMFI) is a file format that can be transferred to
other platforms and other applications. It was developed primarily by Avid and is sup-
ported by a group of OMFI partners, developers, and software companies that cooper-
ate with the standard to allow import and export of files and information using OMF
formats.
As stated in the Import section, the intention is to allow one digital media appli-
cation to allow the import and export of files and compositions to another. By allowing
the applications to “speak” to one another through importing and exporting, we, the
users, don’t have to deal with extreme measures, third-party software, and any “undoc-
umented solutions” to move media from, say, an editing application to an animation
application.
Acceptance in the marketplace of OMF has been mixed, but one area that imme-
diately embraced OMF was audio. Almost every audio workstation made has some
form of OMF capability. As a result, exporting audio files and compositions through
OMF is quite common.
OMF comes in two flavors: Version 1.0 is supported by older audio workstations
and works quite well in most situations; version 2.0 was developed a little later and
incorporated some changes. The result is that more applications can use OMFI. Once
again, before deciding on whether to use 1.0 or 2.0, the best bet is to call the facility
that will be using the file and talk directly with the engineer who will be using the files.
Once you’ve created a successful test, name the Export Setting for the name of the
facility it’s going to.
Exporting AAF Files
Another form of export is Advanced Authoring Format (AAF), which is very similar in
concept to OMFI and it essentially does the same thing that OMFI does. Using AAF,
you can export sequence information (compositions) compositions with embedded
audio and video media.
The two different standards are based upon the fact that software developers,
like any other committee of persons, cannot agree on everything. Whenever you get
commercial software developers to allow some form of access to proprietary compres-
sion and functionality, it gets a little slippery. Some applications are OMF-compliant;
others are AAF-compliant. Your Free DV and Xpress Pro have both. As long as there is
some method of moving media from one application to another, it’s good, right?
Whether your target application is OMF- or AAF-compliant, the methods of
export are exactly the same.
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