Pyro Industries API-1394PCI Manual de usuario Pagina 248

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DIGITAL CUT
Table 6.2 Bars and Tone Formatted for Commercials
Source TC In TC Out Duration
Bars and Tone 00:58:50:00 00:59:50:00 00:01:00:00
Slate/Countdown 00:59:50:00 00:59:58:00 00:00:10:00
Black 00:59:58:00 01:00:00:00 00:00:10:00
Commercial 1:00:00:00
There is no true standard for applying bars and tone, but these are the most
common. Motion pictures use an SMPTE leader when counting down. No doubt you
have seen this many times. For some films that are transferred to video, this leader is
still used. There is a QuickTime of the SMPTE leader for you in this chapter’s folder
on the Avid Made Easy companion DVD.
When adding bars and tone, you might have to change your starting timecode
in the sequence to make sure that the program starts at the hour. This is a simple
procedure:
1. Click the monitor that has your sequence.
2. Press Ctrl+I/F+I on the keyboard. Information about the sequence appears,
including your start timecode.
3. Type in your new starting timecode and close the window.
Creating a new start timecode does not move anything in the sequence; it just
changes the start number. So you’ll have to move everything down when you put in the
bars and tone. Don’t forget to edit on all tracks, or else your higher channels of video
(video track 2 on Free DV and video tracks 2–24 on Xpress Pro) will shift out of sync
with your other program material.
Adding the Slate
The slate is a means of identifying a sequence in its current state (that is, it needs to
have a unique identifier to serve its purpose). You might edit 15 different versions of a
commercial spot. What makes this one unique? Usually you can tell by identifying it on
your slate.
For example, suppose that you edit a commercial for a big soft drink company.
The director has worked with you on this spot and has 15 different versions of it. The
director is not sure which one will run, so you are asked to do a digital cut of all the
different versions.
Usually, a spot has some form of identification—a number to differentiate it
from other spots. The soft drink spot has the identifier 118-05-CCN. So you could
name them 118-05-CCN-A, 118-05-CCN-B, and so on. Without the slate, it could be
difficult to note the subtle variations between each version.
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