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CHAPTER 1: INTRODUCTION TO AVID AND EDITING ■
For the uninitiated, a video frame consists of two fields. The picture first scans every
other line of resolution and then scans the ones missing from the first scan. These two
scans, which make up a composite image, are called fields. So when you used an Avid,
you showed only half the resolution of a picture. Additionally, the images created were
compressed. So much so that you could see “blockiness” or distortion of the picture
when it was played back on an ordinary TV.
Bummer. It seemed at that time that the technology would never catch up or
develop. But Avid told us that it was going to catch up and that we would eventually
be able to edit without going through any online processing or re-creating of the pic-
tures at high resolution. I didn’t believe them at the time, but they proved me wrong.
NuBus Avids
NuBus systems were so named because the Apple computer that was used at the time,
the Quadra 900 and Quadra 950, didn’t have enough processing power to run the Avid
software. As a result, Avid used additional coprocessors, which were connected to
Apple’s NuBus card architecture.
The basic Media Composer at that time (see Figure 1.3) used several coproces-
sors, including the following:
• Audiomedia or Pro Tools DigiDesign audio coprocessor
• Atto SCSI accelerator (this was used to play back the media at higher speeds so
that you could actually read 30 fields per second)
• Truevision NuVista card with an Avid-made daughterboard for video
• JPEG or Advanced JPEG card for reading the media files correctly (the
Advanced JPEG card was huge and connected to the NuVista)
All these cards were placed inside the computer. NuBus technology (as opposed
to PCI technology, which both Apple and PC makers use) consisted of rows of little
pins inside a plastic receptacle on the coprocessor, which were then mounted to a plas-
tic socket inside the computer.
Figure 1.3 That’s a NuBus Media
Composer under the desk.
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